Owen: Listen, Gwen, you are going to be fine, I promise, OK? If there was any biological incompatibility, you would be dead. Now, according to this scan, you are carrying a non-sentient blastopheric mass.
Gwen: A
what?
Owen: It’s
a kind of alien egg. But don’t worry; I’m going to look after you, I promise.
We’ve got procedures in place for this situation.
Gwen: You
mean this has happened before?
Jack: You’ve
heard of immaculate conception, haven’t you?
Torchwood S2 E9, ‘Something Borrowed’ (2008)1
It isn’t, I will freely admit, a
particularly inventive concept for a blog post to disagree with Anita
Sarkeesian about something. Vast swathes of the civilised world, indeed, seem
to have ploughed time and effort into producing media designed to disagree with
Anita Sarkeesian about something. If you don’t know who she is, the most
comprehensive way of describing her is probably something like ‘feminist media
critic’;2 she assesses representations of women in a variety of
media, but has found herself subject to particularly fervent denigration for
her comments about video games.3 My intention in this post is not at
all to join the cacophony of voices condemning her as a person or her whole
approach to her subject. In truth, I actually find a lot of what she says very
illuminating: it’s thanks to her Tropes vs. Women YouTube series that I am able to
identify, in the fiction I enjoy, such things as the Smurfette Principle (when
a distinct group of characters includes, among many males, only one female, who
is characterised primarily by the fact that she is female); Women in
Refrigerators (when a female character is killed purely for the sake of the
impact her death has on a male one); and the Euthanised Damsel (a hashtag-edgy4
elaboration on the Damsel in Distress trope that has the hero who set out to
rescue this woman being morally obliged to kill her instead).5 I
think it’s helpful for these kinds of recurrent character and plot devices to
be recognised, defined, and labelled, just as I think it’s always helpful for
one to strive to be conscious of the ideas any particular fiction is advocating
or assuming, and how it’s doing so. Plus, Sarkeesian always makes her points
with clarity, professionalism, and plenty of supporting examples. All in all, then,
I really do have a good deal of respect for much of her work. What I want to do
in this post is challenge one particular point she makes as part of a broader
explanation of another trope that dogs the footsteps of fictional women, namely
the Mystical Pregnancy.6
As Sarkeesian explains (I paraphrase), a
storyline may be considered to fall under the category of the Mystical
Pregnancy trope whenever a female character’s reproductive functions are
exploited by some sort of supernatural entity to produce some sort of extraordinary
and important offspring. This typically represents a short-lived side-plot rather
than a major theme of the fiction as a whole: the actually gestation period
tends to be enormously accelerated so that the storyline can be crammed into
one or two episodes (or equivalent). According to Sarkeesian – here referring
to the work of another scholar, Laura Shapiro – the trope distorts the natural
process of pregnancy into something alien, disturbing, and to be feared, for
the sake of producing the kind of Anguish, Tension, and Drama that tend to
populate engaging storytelling. Unsurprisingly, she’s not a fan of its use. And
neither, I hasten to add, am I. I agree that it tends to reduce female
characters to their biological functions, while failing to consider issues
relating to pregnancy and childbirth in appropriate depth as part of the story.7
But I don’t agree that the miraculous
conception of Jesus8 represents, as Sarkeesian puts it, ‘the
original Mystical Pregnancy narrative’.
Granted, at first glance, the story
seems to fit the trope quite well. Sarkeesian tells it like this: ‘an
all-powerful being descended from the heavens and impregnated a young woman
with the Chosen One destined to save Earth and the souls of humanity’. A woman
becomes pregnant under unusual circumstances, tick; this is at the behest of a
supernatural entity, tick; the pregnancy results in an extraordinary and
important offspring, tick.
But that exact same combination of
ingredients can be found in narratives hailing from centuries before Jesus was
a speck in the womb. Just think, for instance, of all the extraordinary children
Zeus was supposed by Greek mythology to have had with mortal women: he
impregnated Leda in the form of a swan to produce Pollux (i.e. Castor and), as well as, according to some sources, Helen (i.e. of Troy), Danae
in the form of a shower of gold to produce Perseus (i.e. and Medusa), Alcmene
in the form of her husband Amphitryon to produce Heracles (who surely needs no
further introduction) – the list goes on,9 and plenty of other gods were
meant to have been up to the same tricks too. Even more strikingly pertinent are
the first few verses of Genesis 6, that odd little chunk sandwiched between the
accounts of Noah’s genealogy and Noah’s ark-related exploits, which sees the ‘sons
of God’ impregnate the ‘daughters of man’ to produce mighty and famous progeny.10
And that’s not to mention the elaborate traditions that subsequently grew up around
these verses – 1 Enoch, anyone?11
So the basic, mechanical shape of the
Mystical Pregnancy narrative – the elements of her description of it that
Sarkeesian identifies in the story of Jesus’ conception – is clearly much older
than that particular event, making Sarkeesian’s claim that it is the ‘original’
Mystical Pregnancy entirely misplaced. Moreover, beyond that basic, mechanical
shape, the story of Jesus’ conception doesn’t have much in common with modern
instances of the Mystical Pregnancy trope. Your average manifestation of the
trope in modern fiction sees a woman’s body hijacked by inhuman forces without
her consent. These forces have no interest in her as a person, only in the
functionality of her reproductive organs; she becomes nothing more than a
carrier for whatever variety of remarkable progeny her pregnancy is designed to
produce. That remarkable progeny develops remarkably fast in the womb and is
probably born in some unpleasantly abnormal fashion (much as I don’t imply that
ordinary childbirth is some kind of picnic, it’s surely got to be a little bit
preferable to having a vampire baby tear you apart from the inside12
or performing an emergency Caesarean section on yourself to get rid of a
hostile alien squirming about in your womb13). The whole thing is
entirely weird and unnatural and terrifying; there is probably an altogether
more substantial threat to the woman’s life than even ordinary childbirth
presents. Then you can bet she doesn’t get to bring up whichever variety of
supernatural offspring she’s brought into the world, because that wouldn’t make
a very exciting next episode, now would it? It’s these things, rather than the
basic elements of the narrative, that make the trope a damaging one; it’s these
that reduce female characters to mere biological functions and shove aside real
issues surrounding pregnancy and childbirth.
The experience of Jesus’ mother Mary was
an altogether different one. I know you know the story, but it’s worth taking
another look at it:
In the sixth month the angel Gabriel was
sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man
whose name was Joseph, of the house of David. And the virgin’s name was Mary.
And he came to her and said, “Greetings, O favoured one, the Lord is with you!”
But she was greatly troubled at the saying, and tried to discern what sort of
greeting this might be. And the angel said to her, “Do not be afraid, Mary, for
you have found favour with God. And behold, you will conceive in your womb and
bear a son, and you shall call his name Jesus. He will be great and will be
called the Son of the Most High. And the Lord God will give to him the throne
of his father David, and he will reign over the house of Jacob forever, and of
his kingdom there will be no end.”
And Mary said to the angel, “How will
this be, since I am a virgin?”
And the angel answered her, “The Holy
Spirit will come upon you, and the power of the Most High will overshadow you;
therefore the child to be born will be called holy – the Son of God. And
behold, your relative Elizabeth in her old age has also conceived a son, and
this is the sixth month with her who was called barren. For nothing will be
impossible with God.” And Mary said, “Behold, I am the servant of the Lord; let
it be to me according to your word.” And the angel departed from her.14
If you’re having flashbacks to services
of nine lessons and carols by candlelight, rest assured that I am too. Regardless,
there are some key contrasts to draw out here. Mary is not just a carrier,
selected for biological convenience; rather, she has found favour with God. It’s
the same kind of language that was applied to great heroes of the faith like
Noah and Moses:15 God is interested in her as a person, not just
what he can use her reproductive organs for. He is with her, not just
acting upon her from afar. He is ready to supply her with answers to her
questions about how this process is going to work. And she for her part
willingly consents to the plan. Nine months later, she gives birth in what we
have no reason to think was anything other than the ordinary fashion, and
subsequently raises the child she bore to adulthood. When God chose Mary to
bear his Son, he wasn’t just choosing a womb; he was choosing a mother. He was,
just as he so often does, graciously gifting an ordinary human being with a
massive role in bringing about his plan for the salvation of his people.
A mystical pregnancy it might have been,
but it’s a far cry indeed from the modern Mystical Pregnancy trope that Anita
Sarkeesian talks about.
Footnotes
1 Thanks to chakoteya.net for the transcript, http://www.chakoteya.net/Torchwood/209.htm,
and NowMyWingsFit for recommending the site.
2 It’s very close to how she describes herself, after all: http://www.anitasarkeesian.com/.
3 For more specific details, this interview is a good one: https://www.theguardian.com/technology/2015/aug/29/anita-sarkeesian-gamergate-interview-jessica-valenti.
4 A term I use to mean edgy for the sake of being edgy –
when you can tell a piece of media is more interested in pushing boundaries
than actually being good.
5 Here are the relevant videos: Smurfette Principle, https://www.youtube.com/watch?v=opM3T2__lZA;
Women in Refrigerators, https://www.youtube.com/watch?v=DInYaHVSLr8;
and various Damsels in Distress, including the Euthanised Damsel, https://www.youtube.com/watch?v=toa_vH6xGqs&feature=youtu.be.
6 Here’s the video: https://www.youtube.com/watch?v=0rhH_QGXtgQ.
7 If you want examples, check out the video (link in
previous footnote): Sarkeesian’s list, while obviously not exhaustive, is superior
to any I could compile.
8 A little bit of Wikipedia-ing has taught me that Sarkeesian’s
addition of a speech-bubble reading ‘The Virgin Birth’ to the moment of her
video when she describes Jesus’ conception as ‘the Immaculate Conception’
represents not a gloss but a correction. The Immaculate Conception is
apparently a Roman Catholic doctrine stating that Mary was conceived free from
original sin by virtue of the foreseen merits of her firstborn, https://en.wikipedia.org/wiki/Immaculate_Conception.
Who knew? Well, evidently not the writers of Torchwood, if my opening
quotation is anything to go by.
9 Some kind human has in fact compiled a list: http://www.theoi.com/Olympios/ZeusFamily.html.
10 In case you need to jog your memory: https://www.biblegateway.com/passage/?search=genesis+6&version=ESVUK.
11 Or specifically the bit of it known as the Book of the
Watchers, that is, chapters 1-36. English translations are really easy to find
online; here’s one at random: http://www.ccel.org/c/charles/otpseudepig/enoch/ENOCH_1.HTM.
12 In case you have been fortunate enough to avoid the
Twilight Saga altogether, that’s a reference to Breaking Dawn, the last
instalment in the series and the only one I’ve read all the way through. Fancy
an Honest Trailer for it while you’re here? https://www.youtube.com/watch?v=yvo5_Zi-Yxs.
13 And here I reference Prometheus, which honestly I like
even less than Twilight. You can have the How It Should Have Ended for
it this time: https://www.youtube.com/watch?v=JLbcZggwVCw.
14 That’s from the gospel of Luke, the only one which
actually gives any detail about this part of the story: https://www.biblegateway.com/passage/?search=luke+1&version=ESVUK.
15 The link in footnote 10 will do you for Noah, but you’ll
need another one for Moses: https://www.biblegateway.com/passage/?search=Exodus+33&version=ESVUK.
No comments:
Post a Comment