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Saturday, 14 March 2020

Nature and Culture 1: The Beginning


“They lived like gods, having carefree hearts,
Apart and aloof from toil and grief: no miserable
Old age was upon them, and, always the same as far as their feet and hands were concerned,
They enjoyed themselves in good times without any troubles at all.”
Hesiod, Works and Days (8th century BCE)

The archaeology gallery1 began, as one might have expected it to, with prehistoric stuff. Stone tools. Spearheads. A tiny little carved object that is apparently the oldest piece of artwork known to humankind, though I must admit I struggled to recognise in it the female figure that it’s believed to represent.2 I knew going in that this wasn’t going to be my favourite bit; for one thing, there weren’t any inscriptions to stare at, or named characters, or corroboration from literary sources – any of that story-creating stuff that tends to pique my interest. But what did pique my interest in the prehistory section was a comment made by my friend to the effect that, wow, to think humans spent all those aeons as hunter-gatherers, living free and easy, only to then imprison ourselves with the invention of agriculture – a recent innovation, in the grand scheme of things. And it’s been all downhill from there.
 
I have just discovered that a nice chap called Gary Todd has archived a huge number of history-related photographs he’s taken (including this one of stone tools from the Israel Museum) online here, https://worldhistorypics.weebly.com/, and get this, they’re all public domain. Gary, you star.
The comment piqued my interest because, as I told her, that isn’t how I’m inclined to view things at all. The past few millennia of human progress strike me as, well, progress. She elaborated (with another of my friends also chiming in too). Apparently research suggests that life expectancy for prehistoric hunter-gatherers was long, and shortened with the emergence of cities because the more concentrated population facilitated the spread of disease. Apparently the two sexes were of pretty equal status in prehistoric societies: it was only after people started acquiring property that men began oppressing women and claiming ownership over them, because they needed guaranteed heirs to whom to pass on their possessions. Apparently, the scientists say, your average hunter-gatherer only needed to do about four hours’ work in the day in order for the needs of the tribe to be supplied; the rest of the time, these guys could just hang out having fun, telling stories, creating tiny pieces of carved artwork if the fancy so took them. And we’re all trying to get back to that, all the time, my friend claimed. Every new labour-saving device or technology we try is an attempt to claw back something of the leisure of that hunter-gatherer lifestyle, but every development just augments the problem. Emails, for instance, were supposed to streamline and simplify the process of communication with colleagues, but what’s actually happened is that we all now spend vast swathes of our time answering annoying emails. We think we’re digging a tunnel out of the prison that is work, but all we’re really digging is a new cell of the same prison.

It was a perspective I’d never heard before, and the more I thought about it, the more I thought that maybe there was some kernel of truth in it. Sometimes it does seem as if every new technological development that’s supposed to make life easier actually makes it more of a pain – just get me started on the university finance system, for instance. And there is something wistfully, primally appealing about a simpler, less urban, less high-tech lifestyle – a sort of untainted wholesomeness, you know. But at the same time, I love living in a world of progress. I love living in a world of the pursuit of knowledge, of pulling things apart to see how they work and putting them back together again in new ways; a world where you can have a dream and build it in reality, where you can face up against what’s considered impossible and carve bold new chunks of possible out of it. Hunter-gatherers might have only had to work four hours in the day, but they could never have, I don’t know, written Dvořák’s New World Symphony,3 or built the Hungarian Parliament Building,4 or animated Your Name, or made cookie dough and ice cream, or crafted a hat like the one I bought in Lyme Regis three years ago (to select just a few of my favourite extraordinarily beautiful things). They could never have explored the depths of the oceans or walked on the moon. And sure, they might have lived longer before they started living in cities, but a serious infection would doubtless still have constituted a death sentence without antibiotics. They might have lived longer before they started living in cities, but last century, humanity went toe-to-toe with arguably the deadliest disease in history, and only blooming went and won.5 Annihilated it from the face of the earth, indeed. So yeah, progress, I maintain, is still progress.

But the fact remains, and niggles, that, well, the modernist project failed. We progress, we learn and we dream and we build and we win, but our advances do seem to cause as many problems as they solve. We have striven for utopia, but we have never reached it, and the corpses of those to whom our experiments in progress have not been merciful are piled high under our feet. Given that our capacity for violence and destruction has increased with every step forward, I understand where the disillusionment that suggests we stop trying and go back the other way is coming from.

Mind you, I might frame this stuff in terms of modernism, but wrestling with the tension between simplicity and technology, rural and urban, nature and culture, is far from a modern pastime. In the third year of my undergraduate degree, I wrote an essay about the relationship between nature and culture in Longus’ Daphnis and Chloe, a Greek novel written in the second century CE; my Latin tutee and I are currently discovering the prominence of the same theme in Horace’s Satires, published in the first century BCE; and, on a slightly different note, Hesiod’s Works and Days, probably eighth century BCE, describes a former Golden Age when human beings lived far longer and didn’t have to do any work, as I quoted above (my own translation). Maybe we’ve been wondering to what extent technological development is a good thing, harking back to the utopia of a simpler past, and trying to find the balance between nature and culture, ever since we were using those stone tools I saw in the archaeology gallery.
 
I like this depiction of Daphnis and Chloe by Paris Bordone because of how he included Eros asleep at the side there, to show that the pair haven’t quite figured out what to do about the fact that they’re in love yet.
So what’s the answer? Where do the scriptures stand on this question? Well, for starters, you’ve probably noticed that the paradise granted to our first ancestors to live in was a garden; that’s actually what ‘paradise’ means. So that would seem to be a tick on the ‘nature’ side. But then again, the human was put in the garden to work it and keep it; in fact, the way that the initial lack of bushes and small plants on the earth is explained as being partially because there were no human beings to work the soil, at least implies that some sort of human agricultural activity was a desideratum so that the earth might better fulfil its potential.6 Hmm. What about after the fall? It’s the descendants of Cain – archetypally unrighteous Cain – who are spoken of in connection with technological developments like musical instruments and metallurgy. But then the ark, built by righteous Noah and representing the salvation of humanity, sounds as if it was quite a technologically complicated building project for the time: three hundred cubits long, three separate decks, the whole thing covered in bitumen. Hmm again. What about the matter of cities? The OG city in the Bible is Babel – that is, Babylon (same word in the Hebrew, I can’t fathom why the translations don’t render it consistently) – and it’s definitely Very Bad. It’s founded in direct and conscious opposition to God’s command to the postdiluvian humans that they spread out across the earth; in a lack of faith that he’ll keep his promise never to flood the earth again (why else did they want that massive tower?); and in self-elevation of the builders, who want to make a name for themselves (an idiom that, pleasingly, works just as well in English as in Hebrew). It’s also the beginning of the kingdom of Nimrod, whose name means ‘we shall rebel’ and who is described as a ‘mighty man’, a title which at this stage in the narrative definitely recalls the Nephilim produced by the union of the sons of God and the daughters of man. Bad bad bad. So cities are bad, then? Well, yes, except for the fact that when you flip to the other end of the book and find the description of the perfect new heavens and new earth that God will create, its most prominent feature is new Jerusalem – the holy city, coming down from God out of heaven.7

The problem, it must be concluded, isn’t technology, or urbanisation, or culture, in and of themselves. The problem is humans. Humans build a city and it’s bad, because it’s done in disobedience of God; but God builds a city and it’s good, because everything he does is good. And our disobedience isn’t brought on by our technological circumstances; it’s brought on by our sinful nature. We disobeyed God when there were no cities and we still disobey him now that the earth is covered in them. We disobey God at every stage of development. The reason our progress doesn’t make things better isn’t because it’s our progress, but because it’s our progress.

Pessimistic of me? Not really. Not in view of the perfect new heavens and new earth that are coming. On the contrary, it’s very freeing to know that it’s not either our technological advances, or our lack of them, that make life and work difficult for us; that it isn’t on us to either learn and dream and build until we fashion utopia for ourselves, or to throw off the shackles of our ancestors’ choices to recapture the lost golden age of longevity and leisure. The reason life and work are difficult is because we live in a world full of sin, and there isn’t a thing we can do ourselves to get rid of that sin. But if we accept Jesus’ mind-bogglingly merciful death on our behalf, and lay the burden of our sins on him to be paid for and brought to nothing, then we become ambassadors, in the present world, of the true utopia and the true golden age to come – which, unlike Hesiod’s, will never end. Behold, the LORD creates a new heavens and a new earth, and the former things shall not be remembered, nor come into mind. Live as if you believe that, brother or sister of mine; live as if that’s where your hope is. It’s all uphill from here.

Footnotes

1 At the Israel Museum. Did I mention yet how insanely cool it was? https://www.imj.org.il/en/node/130

2 I also remember it from the first episode of Civilisations, which I massively recommend: https://www.bbc.co.uk/iplayer/episodes/p05xxp5j/civilisations. It’s basically a nine-hour history of the world told through the lens of art; now, I don’t care about art any more than your average person, but the connections that Civilisations made, the great big story it placed this stuff in, really took hold of me.

3 My gosh it’s wonderful. Try the fourth movement: https://www.youtube.com/watch?v=pGdtkUiKaA8.

4 Currently up there with the Founders’ Building at Royal Holloway on my list of favourite bits of architecture. I’m sure you’re capable of Googling the pics yourself.

5 Smallpox, in case you weren’t sure. My new favourite YouTube series, Extra History, will happily tell you all about it: https://www.youtube.com/watch?v=Ke6tT3_QTuM.

6 I’ll give you Genesis 2 here, and you can just click forward through the next few chapters to cover the references in the best part of the rest of the paragraph: https://www.biblegateway.com/passage/?search=gen+2&version=ESVUK.

7 Revelation 21 – but you already knew that: https://www.biblegateway.com/passage/?search=rev+21&version=ESVUK.

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